Next concert and rehearsal dates

Earls Barton Music – Registration and Rehearsals – Autumn 2018

The Armed Man: A Mass for Peace

These rehearsals are preparation for the Combined Choirs Performance of The Armed Man by Karl Jenkins at The Castle Theatre, Wellingborough

(All rehearsals 7.30pm – 9.30pm at EB Methodist Chapel unless otherwise indicated)

September 2018

Tuesday 4th Registration – 7:00pm – 8:15pm (no rehearsal)
Wednesday 12th Rehearsal One
Tuesday 18th Rehearsal Two
Friday 21st Auditions for soloists – 6:30pm EB Methodist Chapel

Set piece for a panel from all choirs (details to follow).

Thursday 27th Rehearsal Three

October 2018

Wednesday 3rd Rehearsal Four
Thursday 11th Rehearsal Five
Tuesday 16th Rehearsal Six
Tuesday 23rd Rehearsal Seven
Sunday 28th Rehearsal Eight (EB Methodist Chapel, 2:00pm – 5:00pm)

November 2018

Thursday 1st Rehearsal Nine
Sunday 4th Orchestra and soloists only (2:00pm – 5:00pm)
Tuesday 6th Rehearsal Ten (7:00pm – Wellingborough School – Joint Choirs)
Sunday 11th Rehearsal Eleven (12:30pm – Castle Theatre, Wellingborough)
Sunday 11th Performance – 3:00pm

See the Google calendar below for all rehearsal dates and times. You can import the dates into your own Google calendar.


2 thoughts on “Next concert and rehearsal dates

  1. Good evening,

    My name is Nan van Groeningen, Amsterdam HOLLAND
    I am a choir conductor in Holland and also a choir organiser.
    I invited already many choirs to come to our country Holland.
    I had choirs from all over the world. this year for example
    choirs from England, Germany and Italy. Last year we had
    a male choir from Canada and a mixed choir from Thailand.
    Choirs in Holland like it to give concerts with other choirs from
    other countries.
    I will invite your choir for 2017 or 2018 if you like.
    If you are interesting, please send me an email back and have
    a look to my website:
    In June this year I am travelling in England, if you like to have a
    meeting with me, please write me.

    With kind regards;

    Nan van Groeningen

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