The Icons Concerts – July 2025

(as experienced by two ‘newbies’) *

It was Joseph’s Technicolour Dreamcoat that first drew us to Earls Barton Music (EBM). We read about the production online and were keen to join a community choir. So, along with a friend – a mad-keen musical fan – we bought tickets.

We loved the production. We were hooked! A few weeks later, we joined the EBM choir.

Gulp…

Was joining a 90-plus strong choir a leap too far? Had we bitten off more than we could chew?

Back story

We had previously been part of a small community choir based in London’s Waterloo. And when I say ‘small’, I mean small. With an optimistic full complement of about 20 people, it was smaller than EBM’s alto section. And comprised an eclectic mix of lovely – if sometimes slightly crazy – people! (Nothing changed there then!).

None of us read music (hold onto that fact) but, learning by rote – and patiently coached by our musical director – we produced a repertoire of lovely songs. Our signature tune was ‘Fix You’ by Coldplay. (A nice synergy then to discover that two of EBM’s Icons list included songs from the same band.)

The first rehearsal

Our first rehearsal gave us an inkling of what was to come. An initial list of 11 songs included hits from Tina Turner, the Mamas and the Papas, Lady Gaga and a Boy George/George Michael/Michael Jackson mash-up. Some of these had been re-worked by Helen, the deputy music director.

With only 10 weeks to learn the songs, we began to realise just how big a task we faced. A far cry from our much gentler Waterloo days!

Little did we know…

A couple of weeks into rehearsals, Jon (the music director) broke the news that another seven songs had been added to the list, including hits from Kenny Rogers and Dolly Parton, Madonna, and Bob Dylan. So, 18 songs to learn in 10 weeks…

Biting the bullet

We’ve both passed the stage when stepping outside our comfort zone is an exciting challenge (was it ever?!). For us it’s a no-brainer – I mean why would we do that when there are so many more enjoyable things to do!

But pushing aside our concerns – not reading music; lack of rehearsal time; new environment, etc – we decided to confront the challenges head on.

And, my goodness, it was worth it!

During the ensuing weeks, we sang along with some truly amazing, multi-talented people. People with beautiful voices who sang with confidence. People who also played the saxophone, trumpet, clarinet, flute and violin. The piano, guitar, drums, and even the cajon!

And this wonderful band of musicians added the extra ‘je ne sais quoi’ to the choir.

Elevating it from a group of good singers to a full-blown ‘blow-your-mind’ performance team. They’re fantastic, just amazing.

The concerts

Fate dictated that our concerts fell on three of the hottest days of the year, with outside temperatures reaching 33 degrees. At seven o’clock in the evening.

The concert hall was equally hot. And with a choir of nearly 90 people, an audience of 100, and spotlights all around, it was never going get much cooler!

Stiff (if slightly sweaty) upper lip

But we’re BRITISH and laugh in the face of such adversity – ha-ha-ha – and, like the troopers we are, went “once more unto the breach”.

And we were great!

Not perfect of course – nothing ever is. But we had lots of fun, and the audiences laughed at Jon’s world-renowned jokes, sang along with the songs, stamped in time to Queen’s ‘We will rock you’, and swayed majestically to ‘We are the champions’.

And they listened in awe, then cheered loudly, at the beautiful and moving instrumental numbers.

What’s not to like?

But what is a choir?

Much more than a bunch of lovely people who made us very welcome, Earls Barton Music is a group of hugely talented voices and musicians too. The complete package. Jon and Helen – both experienced, gifted musicians and composers – lead and guide the choir. They are the glue that melds all the parts into a harmonious single entity.

Our thanks, respect and applause go out to them both.

But EBM is also supported by a dedicated team of (largely unseen) helpers. Front-of- house, back-of-house, lighting and sound, refreshment teams, logistics experts, the choir committee and many more. All giving freely of their time, energy and resources.

Above and beyond, guys, above and beyond.

So… the final curtain or time for an encore?

Would we join again? Yes, I think we would. But we would have to pick the concerts with care. We both love singing and want to sing confidently and ‘correctly’. And we both love Elgar’s ‘Nimrod’ which is planned for the Remembrance Day concert.

But neither of us reads music, and singing is a huge step away from just listening. This puts us at a disadvantage and undermines our confidence. And with that, our enjoyment level.

But… that said, perhaps it’s time to step outside that comfort zone.

* Paul Higham and Sarah Taylor

Christmas Spectacular with Northampton Concert Band

Our final concert of the Christmas Season was on Saturday 7th December 2024 at Christchurch, Northampton with the Northampton Concert Band, conducted by Graham Tear.

The band started off the concert with “A Festival Fanfare” with lots of easily identifiable Christmas tunes to spot.

We had been invited to join the band for some Christmas carols and some of our own pieces, so we started at the end of the band’s piece called “A Winter’s Night”. This was a beautiful evocative wintery piece, which ended with a soft and peaceful verse of “Silent Night” which the choir sang.

Then we performed “Child in a Manger” by John Rutter. We were accompanied by the wonderful concert band. At first glance you may think that you don’t know this piece, but once the melody starts you realise very quickly that it is “Morning has Broken”!

We performed “Ubi Caritas” by Ola Gjeilo, which gives a nod to Gregorian Chant and church music of long ago as it is sung in Latin, but with a modern feel with piano improvisations performed brilliantly by our very own accompanist, Richard Holloway. This was very atmospheric in the beautiful acoustics of the church.

The band then played an excellent piece called “Minor Alterations” where lots of Christmas melodies were transformed by changing them into a minor key, rather than their usual major version. This gave some of the tunes a dark and sinister feel and was very entertaining.

Then back to another John Rutter piece “Christmas Night” accompanied by the gentle sound of the concert band clarinet section. This was guaranteed to ensure that any babies in the audience were sleeping soundly! The choir sang in melting 4-part harmonies and all was calm and bright.

The first half ended with the Concert Band’s performance of an arrangement of the film music for “ET the extra-terrestrial.” This had us all sitting on the edge of our seats absorbed in the music. A few tissues were needed for the ending!

After the interval the concert band started off with an arrangement of Jingle Bells, using the percussion section to great effect, followed by “Hark the Herald” with audience participation.

Next, the choir sang “The Shepherd’s Pipe Carol” with lovely bouncy rhythms and syncopated sections. Such a feel-good carol!

The Concert Band played 2 more pieces: “ Let the Bells Ring” and “New York” which showed the skill and dexterity of all the amazing players.

Then the gloves came off and we all played and sang “The Twelve Days of Christmas”. When we got to the section of “5 Gold Rings” the audience, band and choir nearly blew the church roof off!!

Finally, the band finished the concert with “A Christmas Overture” and “The Christmas Song”, all feel good pieces which left everyone with a big smile on their faces. It was very enjoyable and entertaining concert and a great start to the Christmas Season.

Written by Anne-Marie Blackadder, Alto

The members of Earls Barton Music who formed the choir for the Concert Band Christmas Spectacular.

A Choral Christmas Cracker!

We recently performed our annual Christmas concert at St Barnabas Church in Wellingborough over two consecutive evenings, raising funds for The Lighthouse Centre. This year, our seasonal programme “A Choral Christmas” featured music from a range of genres and time periods, and we were accompanied by a wonderful orchestra.

As with any good Christmas concert, the evening began with obligatory audience participation in the singing of the traditional Christmas carol  “O, Little Town of Bethlehem”, before the choir performed the first of our Baroque pieces, Schütz’s cantata “The Christmas Story”. This was an extended piece made up of several short movements, and featured a number of solo and small group ensemble pieces, as well as three lively movements sung by the whole choir. The first half then ended with two modern carols; “Child in a Manger” and “Christmas Night” composed by the ever-popular John Rutter, and a performance of the well-loved carol “In the Bleak Midwinter”.

The choir began the second half of the concert with a performance of the hauntingly beautiful “Ubi Caritas”, an arrangement of a fourth century Latin chant composed in 2001 by Ola Gjeilo, which also featured a stunning version of Gjeilo’s original piano improvisation performed by our talented accompanist Richard Holloway. Next on the programme was the second of our Baroque pieces, Bach’s cantata “Herz und Mund und Tat und Leben” (“Heart and mouth and deed and life”) which we sang in German. In similar fashion to the Schütz performed earlier, this was a longer work composed of solo and whole choir elements, held together by recitatives (sung narratives) performed by Wyn Jones. The concert then closed with “O Come All Ye Faithful”, once again with the assistance of the audience.

As always, we could not have achieved such a successful sequence of concerts without the support and guidance of our musical director Jon Rees, and our co-director Helen Taylor, who kept us going with their encouragement and unfailing good humour (especially when  the Bach tied our tongues in knots on a regular basis!).

Helen Jones, Soprano